My legs were tired by the time I returned all the way back to my car (I had tried a different pair of hiking boots), but I sat thinking what an amazing experience I just had, all because I really wanted to get out and hike in the early hours and light. The sky was fairly overcast and even a bit threatening. The light and colors were very cool and very soft. Not all jazzy or intense and contrasty. Mostly it was just very low contrast, the darks were not really even opaque black like you get on a sunny bright morning, and the light colors were very muted and soft. I realized to paint that, I would have to really plan out my complementary color combinations, and paint mostly with cool variations of hues. Very much the opposite of the way I usually try to express the red rock vistas in the majority of my pieces. Later in the day the exact same places would look entirely different, and require a complete change of colors. I'll have to really think about and maybe study up on how to effectively paint that feeling of coolness and very early light. Steven Quiller is the artist I will study up some more on, as he teaches how to really get those lovely cool muted grays and and make them really work for you, and not get muddy or overworked.
Periodic musings by a mature artist/teacher on the exquisite beauty surrounding us all, describing his efforts and experiences trying to express and improve his self and his skills, visions, travels, and sharing with a wider audience.
Saturday, August 13, 2011
Courthouse Butte Loop Trail, (early AM)
My legs were tired by the time I returned all the way back to my car (I had tried a different pair of hiking boots), but I sat thinking what an amazing experience I just had, all because I really wanted to get out and hike in the early hours and light. The sky was fairly overcast and even a bit threatening. The light and colors were very cool and very soft. Not all jazzy or intense and contrasty. Mostly it was just very low contrast, the darks were not really even opaque black like you get on a sunny bright morning, and the light colors were very muted and soft. I realized to paint that, I would have to really plan out my complementary color combinations, and paint mostly with cool variations of hues. Very much the opposite of the way I usually try to express the red rock vistas in the majority of my pieces. Later in the day the exact same places would look entirely different, and require a complete change of colors. I'll have to really think about and maybe study up on how to effectively paint that feeling of coolness and very early light. Steven Quiller is the artist I will study up some more on, as he teaches how to really get those lovely cool muted grays and and make them really work for you, and not get muddy or overworked.
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